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Yes, greenhouse gas emissions kept rising in 2025, writes Bloomberg (alternate URL here). And the pledges of various governments to lower greenhouse gases "are nowhere near where they need to be to avoid catastrophic climate change..." But in 2025, "there were silver linings too." The world is decarbonizing faster than was expected 10 years ago and investment into the clean energy transition, including everything from wind and solar to batteries and grids, is expected to have reached a new record of $2.2 trillion globally in 2025, according to research by the Energy & Climate Intelligence Unit, a London nonprofit. "Is this enough to keep us safe? No it clearly isn't," said Gareth Redmond-King, international lead at the ECIU. "Is it remarkable progress compared to where we were headed? Clearly it is...." Global investment in clean tech far outpaced what went into polluting industries. For every $1 funding fossil fuel projects, $2 went into clean power, according to the ECIU. For China, the EU, the U.S. and India, the four largest polluters, it was $2.60. Funds flowing into renewable power set another record in the first half of this year and were up 10% compared to the same period in 2024, to $386 billion, according to the latest available research by BloombergNEF. Solar and wind grew fast enough to meet all new electricity demand globally in the first three quarters of 2025, according to UK-based energy think tank Ember. That means renewable capacity is set to hit a new record globally this year, with Ember forecasting an 11% increase from 2024. Over the last three years, renewable capacity grew by nearly 30% on average. That puts the world within reach of the goal set at COP 28 in Dubai in 2023 to triple clean power by 2030. China is leading the charge, with the world's largest polluter expected to have delivered 66% of new solar capacity, and 69% of new wind globally this year, according to Ember. Renewables also advanced in parts of Asia, Europe and South America. The explosive power demand from artificial intelligence is also turning the tide on green technology investment, which had soured in recent years. For the first three quarters of this year, global clean tech investment, which was dominated by funding in next-generation nuclear reactors, renewables and other solutions that help power data centers, has already surpassed all of 2024. That marks the sector's first annual increase since the 2022 peak. And despite President Trump's rollback of climate policies, the S&P's main gauge tracking clean energy is up about 50% this year, outperforming most other stock indexes and even gold. That same enthusiasm has also helped channel more capital into developing and upgrading the power grid, a backbone of the global energy transition. The article also notes that prices per kilowatt-hour of battery capacity "fell by 8% to a record $108 this year and they're expected to decline a further 3% next year, according to BloombergNEF." And this year the International Court of Justice "determined that countries risk being in violation of international law if they don't work toward keeping global warming to the 1.5C threshold agreed on at the Paris climate conference in 2015."

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Regardless of who ends up owning Warners Bros., "the outlook for theatrical movies is dimming," writes a Wall Street Journal tech columnist, noting that this year's U.S. box office of $8.3 billion (as of December 25) "is a bit below last year's and well below prepandemic levels of around $11 billion." Warner has historically been one of Hollywood's largest producers of theatrical films, averaging about 22 releases annually in the pre-Covid years of 2015 to 2019, according to data from Comscore. Its franchises include "Harry Potter," the DC Comics characters and "Lord of the Rings." But the current bidding war between Netflix and Paramount Skydance means Warner's future will ultimately be in the hands of either a streaming giant with a longstanding distaste for movie theaters, or a rival studio that will carry a sky-high debt load and therefore a need to sharply cut costs... [Though later the article cites a Wedbush analyst's observation that the current theatrical slate has already been negotiated through 2029, "so any buyer would have to honor those contracts" with theatrical releases for Warner films "for at least the next four years."] Investors seem deeply skeptical. Cinemark shares have shed about 18% of their value over the past month, while rival exhibitor AMC Entertainment is down more than 30%. Morgan Stanley recently downgraded Cinemark to a neutral rating, with analyst Ben Swinburne noting that concern over Netflix's commitment to theatrical distribution and release windows "is likely to cap the multiple" on Cinemark's stock.... [T]ime hasn't been on the side of movie theaters for a while now, and a takeover of Warner Bros. won't turn back that clock.

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Artist Keith Thomson is a modern (and whimsical) Edward Hopper. And Apple TV says he created the "festive artwork" shared on X by Apple CEO Tim Cook on Christmas Eve, "made on MacBook Pro." Its intentionally-off picture of milk and cookies was meant to tease the season finale of Pluribus. ("Merry Christmas Eve, Carol..." Cook had posted.) But others were convinced that the weird image was AI-generated. Tech blogger John Gruber was blunt. "Tim Cook posts AI Slop in Christmas message on Twitter/X, ostensibly to promote 'Pluribus'." As for sloppy details, the carton is labeled both "Whole Milk" and "Lowfat Milk", and the "Cow Fun Puzzle" maze is just goofily wrong. (I can't recall ever seeing a puzzle of any kind on a milk carton, because they're waxy and hard to write on. It's like a conflation of milk cartons and cereal boxes.) Tech author Ben Kamens — who just days earlier had blogged about generating mazes with AI — said the image showed the "specific quirks" of generative AI mazes (including the way the maze couldn't be solved, expect by going around the maze altogether). Former Google Ventures partner M.G. Siegler even wondered if AI use intentionally echoed the themes of Pluribus — e.g., the creepiness of a collective intelligence — since otherwise "this seems far too obvious to be a mistake/blunder on Apple's part." (Someone on Reddit pointed out that in Pluribus's dystopian world, milk plays a key role — and the open spout of the "natural" milk's carton does touch a suspiciously-shining light on the Christmas tree...) Slashdot contacted artist Keith Thomson to try to ascertain what happened...

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